A documentary on the war in South Vietnam shot entirely on location. There is no narration and no use of archive footage. The participants speak for themselves. The filmmakers spend time with units from many services: army, tanks, marines, ARVN, air cavalry. They accompany an air force napalm and strafing attack on a Viet Cong bunker complex. There are many scenes both of Saigon streets and of peasant village life. Soldiers speak of their experiences and their mission to fight Communism in Vietnam. One American informant says that the Vietnamese peasant is not interested in ideology, but in social justice, a piece of land, fair taxation, and to be left alone. Some interviews are used as voice-over. Participants, American and Vietnamese, are very natural, with little or no posturing for the camera. There are scenes of dead Viet Cong, and one showing a VC suspect being drowned to aid interrogation.

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该剧是一部关于家族传承和美食文化的电影，通过柳氏家族的故事，展示了传统美食文化的魅力和传承的意义。

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电影中，程兵这个角色具有丰富的层次感，他既有坚定的正义感，又有面对生死的坚定态度。这种角色塑造让观众对刑侦警察这个职业有了更深的理解。

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我读初中的时候，经常和几个同学去偷人家玉米在地头烤着吃，后来一个同学决定单干，自己一个人去偷人家玉米烤着吃，因为没有人放哨，被逮个正着。陈凯歌就像那个独自去偷玉米的人，因为和别人合导了长津湖，觉得自己又行了，于是就有了这部大可不必的电影！我不知道看过长津湖的还有多大的兴趣去看这部电影，而当年连长津湖都没去看的又有多大的意愿去看这部等而下之的志愿军。当张艺谋像一个勇士一样去面对审查的藩篱，想要冲出一条血路的时候，陈凯歌则躲在安全区，去臆造他心中的英雄主义。电影当然要

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这是一部令人兴奋的冒险喜剧，讲述了飞鸭马拉德一家在纽约的奇遇。电影中的情节紧凑且充满惊奇，展现了主人公们的勇气和智慧。同时，电影还展示了家庭之间的爱和团结。